I nitiative Musik's ‘Clubstudie’ (study of clubs) is the first of its kind. It assesses the situation of all live music venues in Germany, taking a holistic approach. There are around 2000 venues nationwide, and a salient characteristic of them is how diverse they are: from tiny jazz clubs to venues which host live DJ sets with dancing for audiences of more than a thousand. In 2019 there were a total of 190,000 music events across a wide range of different genres. There are only very few venues which are focused exclusively on one style of music. For example, jazz has long since left the confines of dedicated jazz clubs, and is now a part of the music programming at around 50% of all venues.
It was important that the Clubstudie should find a means to capture the specificities, structures, strengths and challenges faced by individual venues, so the survey contained an option at the beginning for participants to choose between six different types of venue: music club, jazz club, music bar/café, event hall/concert hall, sociocultural centre/youth centre, ‘offspace’/art space. The existence of a separate rubric for "jazz clubs" is based on the assumption that music venues with a clear genre focus on jazz have fundamental differences in their operating structures and other economic and cultural characteristics when compared with other venues due to their history – they are among the oldest live music venues in Germany.
The Clubstudie also took a look behind the scenes and focused on the people who run music venues. These people are characterized by their strong level of personal motivation to create cultural offerings in their home region, and also to provide spaces for social interaction. In addition, the work of these people driven by their passion can also be seen in the venues’ operating structures. Often, forms of governance are based around individuals, and it is not uncommon for a small venue and its programme to be entirely dependent on one person. However, this backdrop also poses one of the greatest challenges for venues in Germany, and especially for jazz clubs: a large proportion of operators are either about to retire or will do so within the next ten years. The average age of people running venues across the whole sector is 48; in jazz clubs it is 60.
This leads to a further recommendation for action, which we derive from the Clubstudie: to provide support for music venues in this challenging phase of generational change, to form networks and to launch initiatives to bring old venues in to contact with young, highly motivated operators, and thereby to enable a transfer of knowledge and exchange among venues that welcome different genres of music.
For Initiative Musik, the results and recommendations for action form an important foundation to advance and to rethink the future funding of clubs. Our mission is and will remain to support artists, especially young talent, and to support and strengthen the diverse live music scene in Germany in a sustainable way.